VARIOUS ARTISTS "DTRASH100: Music Videos" Reviews

Zero Tolerance (www.ztmag.com)

Terrorizer Magazine (www.terrorizer.com)

Chain DLK (www.chaindlk.com)

In celebration of their 100th release, Canadian power-electronics label, DTrash Records, has released this DVD collection. This DVD collection includes 18 music videos of 15 artists and bootleg videos of another 6 artists from the label, including the perversely insane French band, Punish Yourself. And, not to outdo themselves, DTrash Records also celebrates their 100th release by including a track from each of their releases in a jukebox.   DTrash’s 100th release DVD collection is over 5 hours of content. Never mind that every band on this release is from a different corner of the extreme electronics genre—Gabber one minute, Digital hardcore another, and breakcore the next. Watching this DVD is like having my head kicked around and stomped on from Play to Stop, and I like it: I feel like a kid in a candystore—and it’s all mine.  So, if you are craving a nearly unlimited collection of new, aggressive electronic sounds, and four hours of eye-candy to boot, pick this up. There is sure to be something you won’t enjoy, but who fucking cares? DTrash has outdone themselves with their 100th release, which speaks quite a bit for their commitment as a label.
Review by: Shaun Phelps



Connexion Bizarre (www.connexionbizarre.net)

To celebrate ten years of D-Trash Records and its 100th release, the label released this special DVD, which includes eighteen full-length videos, plus a few bootleg live videos and a "D-Trash Jukebox" feature which allows you to listen to one track from each release, 1 - 99.
So how does D-Trash equate onscreen as opposed to purely aurally? Like most compilations it's very hit and miss, and there are some surprises along the way, most noticeably a deep vein of humour (see Hyperdriver's "Fluffy Bunny Slippers," contrasting sharply with Celebrity Dead's "Columbine 2003," which seems desperate to come across as worthy and falls far from it, into the depths of pure tedium). There are also instances, notably Rabbit Junk's impressive "In Your Head No One Can Hear You Scream," with its cutesy slow-mo animation, where the video seems to have been composed whilst listening to an entirely different track.
There's a lot to get excited about here: for a start, D-Trash is the home of OxygenFad, whose album I reviewed earlier this year, so I had already seen the very firmly tongue-in-cheek "Find Your Own Identity," but was more than happy to watch it again, especially as it culminates with ninjas! 64 Revolt's offerings are punchy synth-led electronica with Scooter overtones; both "Next Generation," with its vaguely White Stripes-style video, and "You Can't Hold Us Back" and its Aphex Twin-style mutations are infectiously joyful, although the "Hurricane" video is rather poor and the band looks quite self-conscious when the camera is on them. While Hansel's "Grids" and "Blipverts" are at turns howling misery and barely-there electronic shivers, the videos are a perfect balance between simple image manipulations and time-warped shots of a band who seem very much at home with what they're doing, and rightly so, as they're doing it very well! Special mention goes to Mind Disruption's "Sick Minds," the images of which some may find disturbing, but credit must be given to a band who chooses to provide subtitles to their own often incomprehensible vocals, and who are able to weave such images so skilfully with a knowing humour that is impossible to ignore.
On the flipside, there are tracks here I admit to sitting through on sufferance. The worst offender was DHC Meinhof. Videos "Like A Fire" and "Anarchist Revolution" (which I admit to not watching the entirety of, as I was cringing too much) are as badly constructed as their accompanying bile-laden tracks. There is absolutely no excuse for F_Noise's "Fight," which is frankly embarrassing with its angsty and irritating vocals and a video that looks like it was filmed by a bunch of drunken students.
In conclusion, the diversity of featured artists means there's something for everyone on this release, and the added bonus of the Jukebox feature makes it a very well rounded retrospective of D-Trash's work to date. Looking forward to the next ten years!
-- Catherine C. [8/10]
 

Crucial Blast (www.crucialblast.net)

The Canadian extreme electronica label DTrash has been at it for ten years now, and they've amassed an impressive catalog of releases from the deep underground of aggressive and confrontational beat-driven electronic music. What's especially cool about this is that the label has maintained a diehard DIY aesthetic since day one, which is something that we love to see and support. Most of the DTrash output has been associated with the "digital hardcore" movement, and the label has long been a compatriot of the legendary Digital Hardcore label operated by Alec Empire from Atari Teenage Riot, but there's more to the Dtrash sound than just speed-metal inflected breakcore and techno. The label has also released all kinds of releases that span harsh noise, dark ambient, industrial, IDM, and more, but there is almost always an undercurrent of heaviness to their bands that is what made me check them out a couple of years ago. I first got into the Dtrash label after hearing Schizoid, the black metal-infected breakcore project that is one of the labels flagship artists, and from there discovered stuff like the awesome doom n' bass of Unitus and the fucked-up plunder techno of CPU War.
Now they've put together their 100th release, a DVD that commemorates their ten year anniversary by stuffing a disc to the brim with music videos from a ton of Dtrash artists, live concert footage, a jukebox loaded with over three hours of music from the Dtrash vaults, and more. The music video section of the DVD features professionally shot videos from Schizoid, Bastards United, Hansel, Oxygenfad, DHC Meinhof, 64Revolt, Rabbit Junk, Celebrity Dead, Mind Disruption, F-Noise, NoCore, Hyperdriver, Princess Rotative, and Faux Pride. Eighteen music videos in all from a ton of D-Trash artists, some of whom are gonna be familiar to fans of underground digital hardcore stuff (Schizoid, DHC Meinhof) and a bunch that I've never heard of before, but pretty much all of this is killer. There is a wide variety of film styles used for these videos, which makes for interesting viewing.. The anthemic midpaced electro-thrash of Schizoid's "Generation Fuck You" is matched with grim, flash-animated urban landscapes; Bastards United keep it old school with layered black and white live footage of the band busting out the raging, supercharged cyber-hardcore punk of "Less Is Not More"....if it weren't for the vicious digital breakbeats that strafe the performance, I could almost be fooled into thinking that this was some long lost Midwestern hardcore squad. Hansel shows up a couple of times on the disc, both with the minimalist glitch dirge "Grid" (which looks surprisingly "pro", like you could see this vid play on an alternate Earth where MTV blasts grindcore, gabba, and breakcore music videos all day long), and the NIN-ish dirge "Blipverts".
Oxygenfad were another one of the bands that was news to me when I popped this into my deck, but fuck if their song "Find Your Own Identity" isn't a straight up ripper that sounds like what might've happened to Ministry if they had been way more obsessed with the melodic hardcore punk of Dag Nasty than speed metal. Pair that thrashing instrumental jam up with some bizarre, dayglo ninja battles and you've got one of my fave bits on here.
Sure, DHC Meinhof are cheesy in the way that alot of that DHR stuff comes off as cheesy over a decade later, but I don't care - I still think that the videos of the members dressed up in quasi-fascist uniforms, ski masks and black leather as they yell at the camera with heavy arch German accents are totally fun, and man, they bust out some beefy drum machine breaks on "Like A Fire" that are heavy DUTY that kinda remind me of the sick distorted breakbeats that Godflesh used to drop at the height of their hip-hop obsession. Nice.
Another new one to my eyes and ears, 64Revolt break out with a killer video for their terminally catchy electro punk anthem "Next Generation", and the combo of 80's style music video and hammering electro dance pop makes me think that I'm hallucinating some unseen Information Society video calling for youth revolution. Rabbit Junk are similiarly super catchy and on the more accessible side of of this comp, and they also have some of the coolest animation in their video for "In Your Head No One Can Hear You Scream" courtesy of Kandykore, who create a weird cartoon world of massive lavendar plants and graf-spraying bunnies and urban malaise. And that's just the first half of the videos. There's more vids on here from Celebrity Dead, Mind Disruption, the blistering F_Noise, NoCore, several more vids from G4Revolt, Hyperdriver, Princesse Rotative, and Faux Pride, all of which are rooted in the hardest of digital hardcore and electro punk sounds, and accompanied by cool, creative videos. I still can't believe how "professional" most of these look, almost all of these coulda been played on MTv if that channel had ever had any connection to confrontational, truly underground music. This is a killer collection for anyone into the sounds of D-Trash or their sister label Digital Hardcore and that whole DHR/Atari Teenage Riot sound.
But that's only part of what makes up this DVD. The Dtrash Jukebox section has 100 tracks that you can scan through, with one track culled from each of the labels 100 releases, and it adds up to over three hours of music. In addition, there's a section titled "Xtra TRash/Warez" that features low-fi but totally watcheable live performance footage from Schizoid, 64Revolt, Zymotic, Punishyourself, Exist, and Phallus Uber Alles.
There's a TON of stuff on this DVD that will take you a while to get through, and it's a cool visual collection for fans of Dtrash's hard-edged breakcore/digital hardcore sounds. The DVD is packaged in a full color plastic case, with a complete track listing on the back.
-Crucialblast.net


Industrial.org
(www.industrial.org)
"By: Royce Icon

Man, the fine folks at D-Trash sent me this thing like 4 months ago, and I just now got around to reviewing it. I'm a total fucking slacker, really I am. Anyways, let's just establish that I suck, and get on with the review!

The title of this thing is pretty self explanatory. It's a collection of music videos put out by the artists on the D-Trash label. What isn't quite so obvious is the meaning behind the DVD; As the 100th release of the label and as a marker of it's 10th year anniversary, it's kind of a big symbolic celebration. I mean shit, how many DIY labels, or artistic avenues in general, last 5 years, let alone 10? They're few and far between for sure. So yeah, that is definitely something that deserves celebrating, and this DVD is a great way to go about it.

As both a musician and a video artist myself, I was really interested in seeing what the different artists would come up with. I have to say, the results really surprised me. Not that I was expecting pure shit or anything, I was just expecting to see some okay stuff, but D-trash done wiped my ass all over the floor with some serious gourmet shit! (Yes, that was vaguely a Pulp Fiction reference.) Some of these videos are more pro than others, but they're all at least somewhat entertaining, interesting or imaginative. I'd be lying if I said I dug all of the music, but the visuals were usually so interesting that I could more than look past that.

However, there was one exception to that, one video in which I liked little of either; the Celebrity Dead "Columbine (2003)" vid. I don't like the group much, and I thought that the dramatization of the massacres was just lame. Not that I'm some PC asshole or anything, but I just thought it was lazy and, generally it just rubbed me wrong. But other than that, everything ruled.

I don't have enough time or patience to describe each video in detail for you, so here are some synopsis' of my favorites:

64REVOLT - "NEXT GENERATION"- man, this is by far my favorite video here. It's so big, and fun, and very pro. The effects they use in it look very. very good, and everything is bright and vibrant, and just really poppy. It really fits the song perfectly.

DHC MEINHOF - "LIKE A FIRE"- This is so cool! It's very dirty and successful at achieving both a retro film noir and fascist propaganda quality. That, and it's downright sexy. The shots of the girl (Vocalist Magg Destruction perhaps?) nude with the Iraqi prison style bag on her head and a cardboard sign barely covering her boobs is as politically relevant as it is boner inducing. That, and the scenes at the end are very cool and though out, adding a cool abstract plot-line to the video. Oh and cellphone smashing!

HANSEL - "BLIPVERTS"- I love this one because it's so goddamn sun! The dudes are rocking out with their keyboards, and there are all of these imovie style effects, and it just reeks of a 90's style grunge video gone horribly, horribly wrong- which is a very good thing! These fuckers ROCK!

As I said before, pretty much all of these videos rule. D-Trash have done a fine job in bringing together over an hours worth of interesting visual stimulation, and it's worth the entry fee for sure. Here's to another 100 D-Trash releases! Viva industrial DIY, fucker!
 

RegenMag Magazine (www.regenmag.com)
"By: Ilker Yücel / Editor

Anytime a label reaches 100 releases, it's something of a testament to the label's longevity, or at least their ability to appeal to a wide range of artists and audiences. D-Trash Records have made a name for themselves in the extreme electronic music scene as Canada's answer to Digital Hardcore Recordings, presenting an assortment of artists like 64Revolt, DHC Meinhof, and Hansel. Combining harsh and noisy electronics with varying modes of sociopolitical aggression, the artists on D-Trash offer the listener an alternative to the standard format most punk bands employ in favor of something more confrontational and experimental - at least, that's the idea. The extent to which these bands are successful in this mission is up to the individual listener, but regardless, D-Trash has spent the last decade releasing a plethora of albums in the underground, finally culminating in this, D-Trash 100. As a compilation of music videos produced by the many bands on the label, D-Trash 100 gives audiences not only the ultimate musical retrospective of the label, but also offers a heavy dose of audio/visual stimulation that is sure to send your synapses into overdrive.

Given the underground nature of the label and its artists, it's only natural that the production values for many of these videos would follow suit. Most of them appear to be homemade vignettes of the band, produced on little more than a camcorder and fed into the average movie-maker program one could purchase for cheap at their local Best Buy. Still, this does not diminish the entertainment value; quite the opposite, since this style actually complements the D.I.Y. spirit of the music. Examples of this approach include Oxygenfad's "Find Your Own Identity," in which rapid fire shots of the band are interspersed with montages of kung-fu films to enhance the song's frenetic pace, and Hansel's videos for "Blipverts" and "Grids" are little more than the band performing in a basement, the visuals enhanced only by standard distortions that any Adobe program is capable of. The same can be said for F_Noise's "Fight," which sees the band raucously thrashing about with flashing strobes amid clips from the CGI animations in Ghost in the Shell, while "Less is Not More" by Bastards United is little more than overlapping layers of live clips of the band. Other videos such as the animations in Schizoid's "Generation Fuck You" and Rabbit Junk's "In Your Head No One Can Hear You Scream," courtesy of Kandycore, emphasize a higher production standard, perhaps indicative of the label's growing fortunes as their reputation steadily rises.

From the frantic animations of 64Revolt's "Next Generation" to the terrorist propaganda of DHC Meinhof's "Like a Fire" to the one-and-a-half-minute-long clip of Celebrity Dead's "Columbine 2003," in which several gunmen wreak havoc in a school, the videos on D-Trash 100 are as radical and revolutionary as the style of music these artists create. Included on this DVD is the D-Trash jukebox, featuring a track from each of the label's 100 releases, adding up to three hours of music, as well as six additional bootleg videos from the likes of Punish Yourself and Phallus Uber Alles. While D-Trash Records' brand of digital hardcore and industrial punk may not appeal to everyone’s tastes, those with the eyes and ears for music that goes against the status quo and demonstrates a true underground D.I.Y. spirit, D-Trash 100 is a DVD for you to experience."



Gothtronic
Magazine (www.gothtronic.com)
"It was in 1995 when the young Berlin digital punks of Atari Teenage Riot hit the world with their debut album entitled '1995' (later re-released as 'Delete Yourself'); since those days the world had a new musicstyle, digital hardcore. A combination of hardcore/metal and punk with often a heavy political statement in it.

In 1998 the members of CPUwar and DJ Rabbies from Canada started with their intention of bringing together the worldwide cyberpunk scene in the vein of the German label Digital Hardcore Records.

Now they have something to celebrate, their 100th release since the start of the label, they do this with the release of a DVD compilation including 18 full-length music videos, more than 3 hours of tracks from their complete discography and 6 extra 'bootleg' live videos of very poor quality.

The DVD starts off with Schizoid, the main act on the label and probarly the most known, a nice animation of red soldiers in a bombed town, I love it, musically a sort of trash metal with some electronic drums. Next up are Bastards United, b/w 'live' video, with a more metalcore feeling to it and some fucked up amen breaks. Hansel has a homemade videoclip with the first minute showing the word 'overture', then a guy putting a mic in his mouth going to, it looks like, a recording in their rehearsal room. The music is a more of mix of ambient/noisedrones and vocals with some breakbeats.

DHC Meinhof is definitely one of my favorite bands on this disc, I heard them the first time in 2002 and don't know for sure if these Polish guys and girl are still active, they are represented with 2 tracks with 'Anarchist Revoltion' being my favorite. Another very professional approach of a clip is 'In your head no one can hear you scream' by Rabbit Junkie, also maybe the most commercial sounding track on this DVD. Again a nicely made animation. The videos end with 'Third Dimension' of Faux Pride, a excellent noise breakcore track, great clip also.

The extra's include 107 songs from their complete discography that you can play in a sort of Jukebox having the info of the album, cover and track on the screen, very nice.

A great birthday release by this Canadian cult-label which has some promising future releases ready for release.



Grindthieves.org (www.grindthieves.com/blog)
"If there's one thing I admire more than great, cutting edge, underground, difficult music it is those who have been consistently putting in their blood, sweat, & tears to keep pushing it forward in their own unique fashion. One such group doing so for quite some now is the D-Trash Records camp.

For ten years now D-Trash has been blazing their own trail in the world of extreme, uncompromising, difficult music by way of hardcore D.I.Y. aesthetics and simply just getting the music out there. Forming out of simple networking into an online community and music label to a full fledged record label with worldwisde distribution and top level respect, D-Trash has always known the score and always kept it real. I remember first running into their material somewhere around 2000 when I became very serious about breakcore and other leftfield and noisy electronic music genres and I was instantly brought to attention. Artists like Schizoid, Noize Punishment, Heartworm, Contra, Babylon Disco, Ambassador 21, Stuntrock, and Sangre are all names I remember hearing material from and being truly blown away by.

Now in their 10th year and on their 100th release, they offer up a DVD full of awesomeness including music videos, bootleg concert footage, top hits from select artists/releases, and more. This idea and concept isn't all that new or groundbreaking, but for the world of extreme electronic music - it's a much needed breath of fresh air. One that I'm sure going to partake in."
 

back