Ambassador21
- A21 Vs. The World
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Hailing
from Belorussia, Ambassador 21 are the latest addition to the ever-expanding
DTRASH roster. Formed in the summer of 2001, they quickly established a name for
themselves through radio play and their debut album “People Vs. Ambassador 21”
sold out almost immediately. To show us why, DTRASH have released “Ambassador
21 Vs. The World” a compilation CD of their best material from their previous
releases along side some new material.
From the opening of Not Thinking Frogs it should be immediately obvious why
Ambassador 21 gained such notoriety, as the track erupts with a mushroom cloud
of nu-metal guitars, rumbling, crunching electronics, distorted vocals and
infernal choral loops. It should sound like Digital Hardcore, but it manages to
escape the clichés and posturing, instead it embraces real punk ethics and
aesthetics, giving it a much more raw and dirty edge. Still, though, it is the
omnipresent kick-drum that drives the music with intense 200bpm rhythms, often
being reduced to sheer texture by the speed and distortion; it sounds like rapid
machine gun fire and is just as frightening.
Occasionally, though, on tracks such as Little Freedom and Cheerfully, Merrily
and Impudent, they embrace more digestible structures with mid-paced 4/4 beats
and more groove-oriented guitar work. These work well, so as to introduce some
dynamics into the album, but it is when they are in full-on, pounding and
hard-riffing mode that Ambassador 21 truly show their colours. Aside from the
majestic opener, tracks such as Fuck All Systems and Cuznitsa, although the
stand-out track of the whole album must be Skyphes with its sampling of Samuel
Barber’s Adagio for Strings, coupled with thundering percussion, discordant
guitars and the dual vocal assault of A21’s Natalia and Alexy whose European
accent, with its trilling glottals and rasping vowels, lends an almost sexy edge
to the music.
It would be unfair for me to draw any comparisons to Ambassador 21, as the
closest I can think of is Placid [a band that I loathe]. Needless to say, they
play fast, hard and dirty with an overarching sense of style that gives the
music its unquantifiable charm. If I had to fault them at all, it would merely
be in the production, which at times gets a tad too gritty [especially the
guitars], but not so that it makes the music any less effective, as “Ambassador
21 Vs. The World” is a highly addictive listen. Showing us that digital
hardcore can be fresh, exciting and unpretentious, it bodes well for the future
of this exciting new band.
Gavin Lees 05.05.2003